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The K’s

April 21, 2021 | 19:30

£8

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“The world needs us, it just doesn’t know it yet. We’ve got to the stage where we’re a sleeping giant.
It’s ready to explode – everyone knows it’s going to happen, it’s just a question of when.” Ryan
Breslin, The K’s
The K’s: Jamie Boyle (vocals/guitar); Ryan Breslin (guitar); Dexter Baker (bass); Jordan Holden
(drums)
Welcome to the world of The K’s. If you’re familiar with one of the biggest underground success
stories in rock & roll, make yourself at home. If you haven’t encountered their impassioned bangers,
catch up: these four young men are a word-of-mouth phenomenon that’s rapidly becoming too huge
to ignore.
The K’s have sold out the 1,500-capacity Manchester Ritz and will headline the 2,300-capacity
Academy in the city on their next tour. They’ve caused the tent to be closed at Kendal Calling, with
hundreds locked out trying to join the 2,000 fans within. Their streams are comfortably in the
millions. Not bad for a band who’ve only released four songs on streaming and have swerved the
attentions of the mainstream music press.
On the surface, the appeal of The K’s seems simple: embodying the relatable frustrations of
everyday Britain and its zero hours economy, yearning for a better life in escapist anthems like epic
next single Landmines and breakthrough tune Glass Towns. But if creating timeless thrills really was
so simple, other bands would rack up so many streams and routinely sell out tours, thanks to the
frenzied fan community the band has nurtured. Their gigs are a guaranteed riot, but that shouldn’t
overlook the sophistication that gives The K’s the immediately identifiable blueprint all special bands
soon develop. Debut single Sarajevo is one of the few rock & roll songs to namecheck Austro-
Hungary, notching up over 1.5 million streams in the process.
As singer/guitarist Jamie Boyle puts it: “We’ve crafted our own sound. Even if I’m not singing, you’ll
know it’s a K’s song. We want to leave a legacy, to be more than just a band. I’ve seen it with my
dad’s love of The Jam, where it becomes a lifestyle for people. We want to be so much more than
just listening to the music – it’s developing so that everyone is united, in a room with a thousand
other people who share a common interest, all having a mint time. That’s what The K’s are about.”
Jamie and bassist Dexter Baker have been friends since school in Earlestown, the Merseyside suburb
halfway between Liverpool and Manchester. (“I still don’t know if I’ve got the best or worst of both
worlds growing up in between them,” notes Jamie.) Jamie’s dad taught him guitar when he was 14
“and I’ve played every single day since, without fail.” Dexter and Jamie’s friendship shows in their
on-stage chemistry, neatly summarised by the singer: “Not only is Dexter a class player, he brings the
laughs.”
The K’s began in earnest when Jamie met Ryan Breslin, who’d already shared stages with huge bands
including The Who, The Killers and Aerosmith as a session guitarist in his older brother’s band
Slydigs. Although Ryan was living the dream of “enjoying one big piss-up while playing arenas and
the biggest stages around the world”, he wanted to seek out his own creative outlet. The missing
piece was Jordan Holden, a dream drummer equal parts John Bonham powerhouse and Reni fluidity.
“Jord smashed it at the audition, nailing four tracks we’d only played once to him,” recalls Ryan. “We
had nine other drummers due to audition that day, but there was no point seeing anyone else. As
soon as Jord played, we were ‘How has he just done that?’”
The signs were there straight away that The K’s were special. Not only did they quickly sell out their
first gig, at Manchester new talent hub Jimmy’s, but the show was so wild that fans tore its ceiling.
The intensity has only grown since, spreading thanks to sensational festival sets at Exit in Serbia and
Croatia’s INmusic as well as headlining a rammed tour organised by influential new talent club
network This Feeling. “Playing live is the best high in the world,” smiles Jamie. “I’m buzzing every
time, and I must look weird on stage as I’m laughing so much. We’ve got a respectable following in
every city now, so each night on tour is nuts. It’s as if someone has rounded up a few hundred of the

biggest maniacs in each city, who go to watch our band together and get buzzing. That response gets
us going on stage too.”
Jamie’s laughing as he describes the mayhem of a typical The K’s gig, but it’s a well-earned passion
that has been able to develop out of the spotlight. However big The K’s get, it won’t have come
about from hype. The band are level-headed about smashing it to the fans rather than courting
journalists, as Jamie explains: “We’ve been able to have time working in the shadows to develop. I
don’t want to sound disrespectful, but some bands explode out of nowhere and there’s nothing to
identify with. You don’t think ‘Oh, great, that must be them!’ when you hear their songs.”
Instead, The K’s have worked at jobs from strawberry picking to warehouse nightshifts to help fund
their dream. Jamie recalls: “I’ve been a labourer. I’d lug blocks around all day, then play to
thousands of people at Neighbourhood Weekender, thinking ‘How do you make this work in the
modern-day music scene?’ I think all bands should have to do it, though. You can tell if a band is
pushed straight into it, because their tunes don’t reflect normal life.” The ridiculously catchy
Landmines was inspired by teenage life in Earlestown, as Jamie remembers “Having to wait around
outside an off-licence until someone would buy your beer, then going to get wasted over the park,
trying not to get twatted by the older lads while you’re doing it.” Ryan adds: “Landmines relates to
so many kids’ lives. Well, it does around here, anyway.”
The songs’ rich lyricism of everyday life continue the tradition of Ray Davies, Paul Weller, Squeeze,
Oasis and The Libertines, though the sharp Sarajevo was inspired by a book on World War I Jamie
read “when I was bored, as a free book on my mum’s iPad.” Initially, the singer would take the
skeleton of a song in for the band to develop, but The K’s is increasingly a songwriting democracy,
with Dexter’s loves from Talking Heads to Quincy Jones and Jordan’s art-rock tastes coming into
play. The shimmering Aurora incorporates about 20 ideas and develops them into one huge anthem,
while Ryan’s gigantic ballad Over My Head was an instant smash when it was boldly debuted at
Manchester Ritz. “It’s great that we can strip it back and still kill it,” enthuses Jamie. He admits his
music taste “is often about how good the frontman is”, while Ryan is the band’s classic rock & roll
addict, a Keith Richards devotee also into Chuck Berry. It shows in their offstage personalities too,
with the laidback and laconic Ryan a foil to Jamie’s excitable enthusiasm.
Landmines will be produced by Chris Taylor, the in-house producer at Liverpool’s famed Parr Street
Studio, who has worked with Blossoms, Miles Kane and The Coral as well as overseeing fellow new
talent including Red Rum Club, The Lathums and Jamie Webster. “We work best when the
atmosphere is relaxed,” Ryan explains. “We’re open to ‘Why not try this?’, of course, but if anyone
tries to order us into something, they get told to do one, every time. Being forced into something is
when you hit a brick wall.” Jamie admits: “Before, we hadn’t been 100% happy with what we’ve
done in the studio. It was trial and error, and we’ve had chance to develop in the studio too.”
The apostrophe in their name the only dubious aspect of such a phenomenal band. Initially named
The Kaleidoscopes after their local record shop, they quickly shortened it to The Ks, adding the
apostrophe as there’s another The Ks on Spotify. “Some people hate the name, but loads of people
love how basic and to the point it is, based around one letter.” Ryan adds: “Some great bands like
Foo Fighters and Arctic Monkeys have terrible names. You quickly associate the name with the
songs, not the words.”
For the thousands of fans already immersed in the legacy The K’s are building, the band have quickly
become more than the name or even the songs. The K’s already know they’ll have to leave some fan
favourite songs off their debut album. “All the fans are asking ‘When’s the album, when’s the
album?’,” laughs Jamie. “You can’t be a classic band without a classic album, and we’re confident
enough not to rush ours. We won’t release an album until it’s right. And the way we’re writing songs
that keep getting better, there’s no way we’re not going to have a second album ready to record by
the time we’ve finished our first.”
It’s clear The K’s are going to keep growing, a cult sensation ready to blossom in the mainstream. It’s
an irresistible, irrefutable spirit, welcoming to anyone who wants to escape into a better, more
hopeful world. Come on in, just watch out for the landmines.

Details

Date:
April 21, 2021
Doors:
19:30
Cost:
£8
Event Category:

Organiser

This Feeling
Website:
www.thisfeeling.co.uk

Venue

The Leadmill
6 Leadmill Rd
Sheffield, United Kingdom (UK) S1 4SE United Kingdom
+ Google Map
Phone:
0114 272 7040
Website:
https://leadmill.co.uk

Disabled Access

The Leadmill offers a free companion ticket for disabled customers which must be booked in advance. To apply please email ticketing@leadmill.co.uk with proof of disability once a general admission ticket has been purchased.Examples of accepted proof: Disability Living Allowance (DLA) / Attendance Allowance (AA), Personal Independence Payments (PIPs), Blue Badges & The Access Card. We will review an application without the recommended evidence on a case-by-case basis.